MY CHAMPION TEAM

NO matter how busy I am with office jobs and school assignments, I always find time to watch my favorite team San Miguel Beer when it has a game on TV. That’s why when classes in college were suspended that Friday due to a heavy downpour (a typhoon signal wasn’t even raised in the metropolis by the weather bureau that day, July 17), I left our office earlier than usual and went straight home to catch up the live telecast of an SMB game. But it wasn’t an ordinary game. It was the do-or-die Game 7 Finals match between my favorite team and a more popular and very aggressive opponent, the Ginebra Gin Kings—yes they are still the most popular ball club long after the exit of its legendary playing-coach Robert Jaworski.

I had plans to watch the game live at the Araneta Coliseum in Quezon City, perhaps with my two boys in tow, but I didn’t have the luxury of time and extra budget within that week to go to Cubao for the ticket. Watching a live telecast on TV of a do-or-die match, anyway, is no different than watching it live in the venue; the thrill of the action is also present, except the deafening cheers and boos, and heart-thumping exhilarations from thousands of fiery fans. But no one can prevent me to shout and cheer with wild abandon, even when I am alone in the living room and the clock is ticking into the last quarter of the day when most neighbors are already snoring in their beds.
But for this rare Game 7 of the finals, my cheers and that usual panicky feeling was rather subdued, not because my two boys and their little sister were already sleeping (my wife would rather watch a teleserye than a basketball game for more than an hour), but because I felt relaxed with the Beermen leading the scores throughout the game, thwarting every rally the Gin Kings could muster on the crucial stretch. And halfway to the fourth quarter, I knew my team was a cinch to capture the PBA (Philippine Basketball Association) Fiesta Conference title.

I have been rooting this team since 1993, after the disbandment of Great Taste, an old favorite team of mine, and the eventual transfer of its streak-shooting franchise player Allan Caidic, my idol way back in my high school years, to the Beermen. But this time Caidic, was on the other side of the fence as Ginebra’s assistant coach. Yes, even with the transfer of Caidic to Ginebra in 1998, my loyalty remained with the Beermen and the talented crew now headed by Danny Ildefonso, Danny Seigle (in the injured list), and Olsen Racela.

With the Beermen leading by 8 points with a minute to go, I saw some Ginebra fans starting to negotiate their way out, hoping to leave before the balloons and confetti fall on the arena. I knew how they feel. I also had a painful experience at the big dome in 1998, when my favorite team was on the losing side of a Game 7 match.

It was an All-Filipino championship between the San Miguel Beermen and the Alaska Milkmen, then bannered by the formidable triumvirate of Bong Hawkins, Jojo Lastimosa and Johnny Abarientos. That was my first time to watch a championship live on the venue. I was so excited and hopeful that my favorite team will bounce back from its loss a game before. I was with two of my female officemates, both Beermen fanatics, who turned from demure office workers as if with the flick of a switch into shrieking unlady-like fans. In the final two minutes, I knew that the chance of our team for the title was already buried by an insurmountable lead of their opponent, and with Nelson Asaytono and the rest of the Beermen fumbling with the ball all the way into the crunch time. We decided to go out of the arena half a minute before the final buzzer, hoping to beat the onrush of fans exiting the venue at the same time. And lo and behold, we were joined by thousands of other SMB fans, in a funeral-like procession toward the exit, silent and sluggish, and exhaustion and disbelief imprinted on our long faces.

I fear of a repeat of that heartbreaking Game 7 loss with this present game between San Miguel and Ginebra. Thinking of a déjà vu made me go aarggh! And the number was not on our side, because prior to the season-ending Friday game, the Beermen had lost all their last four Game 7 matches in the finals, yes, including that defeat from the Alaska Milkmen in '98. And the last time the Beermen lost in the finals two years ago, it was on the hands of the same Ginebra team (sans their marquee player Mark Caguioa whol, like Seigle, was sidelined with injury).
But what I fear didn’t come to pass. Bilog ang bola, indeed, as one Ginebra ad would say! After a four-year title drought and heartbreaking losses, six semifinals and one finals, in between, the team finally captured the crown, the Beermen's first with Siot Tanquincen as head coach. It felt good, damn it, seeing Ildefonso and Racela again leading the victory whoops for the team.

Hoorah to the Beermen!

GOODBYE, MJ!

I GROANED when I heard from a female officemate, her eyes glued to her eMac, about Michael Jackson’s untimely demise. It was early morning in the office that day (June 26, Philippine time) when the news came in via the Internet. Elizabeth Taylor would be saying then: “I still can't believe it. I don't want to believe it. It can't be so.” And I felt the same way that moment.

In a wink I joined millions of people—fans, die-hards and just curious—who utilized the worldwide web to confirm the death of the King of Pop, and just like them, I Google about Michael Jackson’s life. I made broadband-quick flashback from the 70s when the popular quintet The Jackson 5 with the prepubescent Michael and his brothers singing “I’ll Be There,” to the zombie dance in the “Thriller” video and space walk-inspired move in the 1980s, up to his startling physical transformation and allegations of child abuse, and to his reclusive years in the latter part of his life. I was born when Michael released his first solo single “Got to Be There” and since I was a kid, I have enjoyed listening to every chart-topping hit he churned in his long career.

I’m sure, people like me, who were born during the peak of the early part of his career, along with the bell-bottomed pants and afros and hippies of the 70s, who had spent teenage life in the turbulent 80s—fashion-wise, and who had matured along with musical fusions and crossovers in the ‘90s, cannot escape from the looming presence of Michael’s music in their lives.

I myself love many of his songs and some had remained a significant imprint in my life. “Give Love on Christmas Day,” as ubiquitous as parol, Christmas trees, and puto-bumbong during the yuletide season, was an early favorite Christmas song of mine. I’d love singing it from the moment I heard it from our old vinyl record. “Ben” was also an easy favorite, not only for its melody but also for the reason that I have a very dear brother whose nickname is Ben. “Beat It” made me dance and sing during my elementary days, trying every way I can to copy his eye-popping dance moves and be popular in school. “We Are the World,” his collaboration with Lionel Richie and other topnotch celebrities of the decade, opened my eyes to starving multitudes in Africa. “Heal the World” made me feel the same civic feeling at the time when I was contemplating with what to do with my life after college.

Now I can only think of his 750 million records and record-breaking albums and complicated dance techniques, not for whatever he had become or for whoever he was. I must say that his pedophile cases, his penchant for plastic surgery, and his Wacko Jacko persona are just sidelights of his stunning musical versatility that I admire, and loads of sheer star power that had entertained music lovers around the world.

Wacko or just plain wacky, pedophile or not, black or vitiligo white, I don’t care, because Michael has always been one of my idols in music. What he had done to music—our soul, his legacy, is far-reaching. Look at how many artists, from Mariah to Usher to our very own Gary Valenciano, he had influenced. And as one blogger puts it, MJ made the world a better place for a lot of people.

His music, from his boy soprano to his androgynous high tenor, will live on in my playlists.

Thanks, Michael!